Alfred Sisley
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1839 -- 1899. English Impressionist landscape painter.

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Simon Vouet
La Crucifixion
Date first half of 17th century Medium Oil on canvas Dimensions 216 x 146 cm (85 x 57.5 in) cjr
ID: 81859

Simon Vouet La Crucifixion
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Simon Vouet La Crucifixion


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Simon Vouet

b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.  Related Paintings of Simon Vouet :. | St Mary Magdalene | Allegory of Wealth (mk05) | Saint Cecilia | Low resolution detail of the muse Urania from The Muses Urania and Calliope | Self-portrait. |
Related Artists:
Michel-Ange Houasse
1680-1730 French Michel Ange Houasse Gallery Son of Rene-Antoine Houasse. He trained in his father's circle, becoming familiar with the academic teaching methods then fashionable in France and also in Italy, where he went with his father. In 1706 he joined the Acad?mie Royale de Peinture et de Sculpture in Paris, obtaining the rank of Academician in 1707 with the painting Hercules and Lichas (Tours, Mus. B.-A.). In Rome he probably became acquainted with the Marquis d'Aubigny, secretary to the powerful Princess Orsini, who was close to Philip V of Spain. The Spanish King already had the painter Henri de Favanne in his service in Madrid; Michel-Ange was recommended for work at the Spanish court by Count Jean Orry (1652-1719), the King's French finance minister, and arrived there in 1715. He had contact with the French artists at court and married the daughter of the French architect Rene Carlier.
Giuseppe Vermiglio
Giuseppe Vermiglio (c.1585 - c.1635) was a Caravaggist painter from Northern Italy, active also in Rome. Our knowledge of Vermiglioes life is sketchy. It is probable that he was born in Alessandria. He spent the first two decades of the seventeenth century in Rome where, while training and working as an artist, he adopted a bohemian lifestyle with a tendency to become involved in painterly brawling: in 1604 he supported his master Adriano di Monteleonees account of a dispute with two unknown artists which had led to Monteleone being wounded by his own wife; the following year Vermiglio was arrested and imprisoned after being discovered at the Monte di Brianza hostellry bearing an unlicensed sword; and in 1611 proceedings were brought against him for physically attacking the painter Silvio Oliviero. In 1618, still in Rome, he is recorded as a picture dealer. Around 1620 he returned to northern Italy where he pursued his career as a painter in Piedmont (Novara and Alessandria) and in Lombardy (notably in Mantua and Milan). His art was profoundly influenced by Caravaggio. Other painters to whom his work is thought, on the basis of stylistic references, to be indebted include the Bolognese Annibale Carracci and Guido Reni; it has been suggested that Vermiglio worked or studied in Bologna at some point. Luigi Lanzi acclaimed the painting of Daniel among the lions, in the library of the Passione in Milan, as his masterwork. Judgments of quality of his work have ranged from Alfred Moires inconsequential craftsmane to Lanzies the best painter in oils of which the ancient state of Piedmont could boast, and one of the best Italian artists of his times.
Michelino da Besozzo
Italian Early Renaissance Painter, active 1388-1450






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