Alfred Sisley
Alfred Sisley's Oil Paintings
Alfred Sisley Museum
1839 -- 1899. English Impressionist landscape painter.

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James Abbott McNeil Whistler
The Little white Girl
mk235 1864 Oil on canvas 76x51cm
ID: 54437

James Abbott McNeil Whistler The Little white Girl
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James Abbott McNeil Whistler The Little white Girl

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James Abbott McNeil Whistler

1834-1903 James Abbott McNeill Whistler Art Locations   Related Paintings of James Abbott McNeil Whistler :. | Arrangement in Grey:Portrait of the Painter | La Princesse du pays de la porcelaine | Rose and Silver | Robert,Comte de montesquiouiou-Fezensac | Rose and Silver La Princesse du Pays de la Porcelaine |
Related Artists:
Johann Christian Reinhart
German , 1761-1847 He revealed an interest in art while still at school and, though he began to study theology in Leipzig in 1778, he soon transferred to the private art academy of Adam Friedrich Oeser (1717-99). Here he made copies of the work of his teacher and drew after plaster casts of antique statues. The Liber Veritatis, a collection of 200 drawings by Claude Lorrain, was also used as a model and had an important influence on him. In 1783 he went to Dresden where he was especially attracted to the Dutch landscape paintings in the Gem?ldegalerie. In 1785 Reinhart returned to Leipzig where he made the acquaintance of the German poet Friedrich Schiller, with whom he had a lifelong friendship, and to whom he later dedicated an etching of a heroic landscape (1800). From 1786 to 1789, while resident at the court of the Duke of Sachsen-Meiningen, he explored the Thuringian countryside on foot, making sketches as he went.
Frederick Edwin Church
1826-1900 Frederick Edwin Church Galleries Frederic Edwin Church (May 4, 1826 ?C April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters. While committed to the natural sciences, he was "always concerned with including a spiritual dimension in his works". The family wealth came from Church's father, Joseph Church, a silversmith and watchmaker in Hartford, Connecticut.(Joseph subsequently also became an official and a director of The Aetna Life Insurance Company) Joseph, in turn, was the son of Samuel Church, who founded the first paper mill in Lee, Massachusetts in the Berkshires, and this allowed him(Frederic) to pursue his interest in art from a very early age. At eighteen years of age, Church became the pupil of Thomas Cole in Catskill, New York after Daniel Wadsworth, a family neighbor and founder of the Wadsworth Atheneum, introduced the two. In May 1848, Church was elected as the youngest Associate of the National Academy of Design and was promoted to Academician the following year. Soon after, he sold his first major work to Hartford's Wadsworth Atheneum. Church settled in New York where he taught his first pupil, William James Stillman. From the spring to autumn each year Church would travel, often by foot, sketching. He returned each winter to paint and to sell his work. Between 1853 and 1857, Church traveled in South America, financed by businessman Cyrus West Field, who wished to use Church's paintings to lure investors to his South American ventures. Church was inspired by the Prussian explorer Alexander von Humboldt's Cosmos and his exploration of the continent; Humboldt had challenged artists to portray the "physiognomy" of the Andes.
Juan Bautista del Mazo
Juan Bautista Mart??nez del Mazo (c.1612 ?C 10 February 1667) was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of Vel??zquez, whose style he imitated more closely than did any other artist.[1] A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa.

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