Alfred Sisley
Alfred Sisley's Oil Paintings
Alfred Sisley Museum
1839 -- 1899. English Impressionist landscape painter.

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Charles le Brun
Adoration by the Shepherds
Oil on canvas 151 x 213 cm 1689
ID: 66691

Charles le Brun Adoration by the Shepherds
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Charles le Brun Adoration by the Shepherds


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Charles le Brun

French Baroque Era Painter, 1619-1690 French painter and designer. He dominated 17th-century French painting as no other artist; it was not until over a century later, during the predominance of Jacques-Louis David, that artistic authority was again so concentrated in one man. Under the protection of a succession of important political figures, including Chancellor Pierre S?guier, Cardinal Richelieu and Nicolas Fouquet, Le Brun created a series of masterpieces of history and religious painting. For Louis XIV and his chief minister Jean-Baptiste Colbert he executed his greatest work, the royal palace of Versailles: an almost perfect ensemble of architecture, decoration and landscape. After Colbert's death in 1683, he was no longer able to count on prestigious commissions  Related Paintings of Charles le Brun :. | Louis XIV. presenting his sceptre and helmet to Jesus Christ | L Assomption de la Vierge | Apotheose von Ludwig XIV | Adoration by the Shepherds | Portrait of Louis XIV |
Related Artists:
BECCAFUMI, Domenico
Italian Mannerist Painter, ca.1486-1551 Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist.[1] In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school. There are medieval eccentricities, sometimes phantasmagoric, superfluous emotional detail and a misty non-linear, often jagged quality to his drawings, with primal tonality to his coloration that separates him from the classic Roman masters.
Fra Bartolommeo
Italian c1474-c1517 Fra Bartolommeo Location Italian painter and draughtsman. Vasari and later historians agree that Fra Bartolommeo was an essential force in the formation and growth of the High Renaissance. He was the first painter in Florence to understand Leonardo da Vincis painterly and compositional procedures. Later he created a synthesis between Leonardos tonal painting and Venetian luminosity of colour. Equally important were his inventions for depicting divinity as a supernatural force, and his type of sacra conversazione in which the saints are made to witness and react to a biblical event occurring before their eyes, rather than standing in devout contemplation, as was conventional before. His drawings, too, are exceptional both for their abundance and for their level of inventiveness. Many artists came under his influence: Albertinelli, Raphael, Andrea del Sarto, Titian, Correggio, Beccafumi, Pontormo and Rosso Fiorentino.
j. g. sandberg
Johan Gustaf Sandberg, född 1782, död 1854, var målare; han var professor i teckning vid Konstakademien från 1828, och direktör där 1845?C1853. Sandberg ägnade sig främst åt historiemåleri, med motiv ur nordisk mytologi och svensk historia. Hans främsta verk inom detta område är kalkmålningarna över Gustav Vasa i Uppsala domkyrka. Han målade också en mängd porträtt. Efter akademiska studier i Åbo med början 1783, och Uppsala, dit han flyttade 1788, blev han filosofie magister 1791. Han blev 1792 extra ordinarie kanslist i akademiska kansliet. Juris utriusque kandidat blev han 1792 och kort därefter docent vid juridiska fakulteten, blev juris licentiat 1800 och utnämndes 1807 till jurisprudentiä, oeconomiæ et commerciorum professor i Uppsala. Juris utriusque doktor 1810; arbetande ledamot i Lagkommissionen 1811-1814; ledamot av Krigsvetenskapsakademien 1810, Lantbruksakademien 1812, Vetenskapssocieteten i Uppsala 1829 samt flera andra lärda samfund. År 1834 erhöll han adlig värdighet och tog avsked från sin professur 1837. Lars Rabenius ligger begravd på Uppsala gamla kyrkogård.






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