Alfred Sisley Galleries
Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs.
Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud. Related Paintings of Alfred Sisley :. | Brucke von Moret in der Morgensonne | Lane Near a Small Town. Alfred Sisley, | Weg der Maschine, bei Louveciennes | The Seine at Bougival | Fog,Voisins (san35) |
Related Artists:Willem de Zwart
(16 May 1862 The Hague - 11 December 1931 The Hague) was a Dutch painter, engraver, watercolorist, with many connections to the Hague School.
Willem De Zwart was born in The Hague on 16 May 1862, the eldest of eight children. His youngest brother, Pieter, would also become a painter. His father painted carriages for a living, and in 1875 the fourteen-year-old Willem was apprenticed to a carriage maker to learn the same trade. In his spare time, he copied prints he found in magazines, and a year later he enrolled in the evening class at the Royal Academy of Visual Art in The Hague. The following year, he was admitted at the studio of Jacob Maris. In the three years that he remained here, it is probable that he got to know many of the leading lights of the Hague School. Maris also sent De Zwart on a journey to the coast, without drawing materials, and had him work out his impressions directly on canvas when he returned to the studio.
De Zwart made several copies of works by 16th and 17th century masters in the Mauritshuis. He was most interested in the works of Johannes Vermeer, Paulus Potter, and Rembrandt, but studied paintings by German and Italian masters, as well. Sometimes he produced copies on commission. In this period, he also made detailed studies of animals, concentrating particularly on their legs, heads and snouts. De Zwart developed a fastidious painting style with a sober, predominantly brown palette.
Willem de Zwart lived and worked until 1894 in The Hague and from 1900 to 1905 in Amsterdam. His work has a wide range of subjects: landscapes, cityscapes, portraits and still life, rendered in a naturalistic or impressionist style. His work shows affinity with the people and city-oriented Amsterdam Impressionism. In his choice of subjects belonged to the Hague School and in his style and his exuberant use of color to the school of Amsterdam Impressionism. He is also known as the "Hague Breitner" because of the similarity of his work to that of George Hendrik Breitner. He painted his landscapes, figure paintings and still lifes with smooth, bold brushstrokes. De Zwart applied the paint thickly, sometimes straight from the tube, with bright colors, exuberant reds, yellows and blues, giving his paintings special vibrancy.
Jan Vermeer van Utrecht
(bapt. 16 February 1630, Schipluiden - c. 1696, Vreeswijk), was a Dutch Golden Age painter. Though he was born near Delft, there is no known relation between this painter and Johannes Vermeer.
His father died when he was 10 and he was raised by his step-grandfather in Rotterdam. According to Houbraken he travelled to Italy with Lieve Verschuier and became friends with Willem Drost and Johann Carl Loth.
He returned North in 1662, where he became member of the Utrecht Guild of St. Luke in 1663 and became deacon of the guild 1664-1666.Houbraken tells a curious story about Vermeer van Utrecht in his biography of Jan Davidsz de Heem. In this story, on his return from Italy, Vermeer marries a widow who owns a white lead factory. He is wealthy and has a carefree life until his wife dies and then his factory is burned by French soldiers. He manages to save a garland painting by De Heem that he once paid 2000 guilders for. This was an enormous sum of money, but Houbraken mentions that his grandfather had been a wealthy man, and until his factory was destroyed, Vermeer van Utrecht had been painting for pleasure, rather than professionally. The amount is meant as an indication of the fame and esteem of De Heem, rather than the wealth of Vermeer van Utrecht. Vermeer van Utrecht then applies to his benefactor, Frederick Nassau de Zuylestein, to give him a government post in return for this painting, which he offers to paint with the likeness of the young prince Willem III in the middle of the garland. The lord of Zuylestein was the governor of the young prince from 1659 to 1666, so this deal must have been done sometime between 1662 (Vermeer van Utrecht's return from Italy), and 1672 (the death of the lord of Zuylestein). Apparently, the deal is done, and several years pass, in which Vermeer van Utrecht did become an appointed member of the Utrecht regency (Vroedschap), but where he felt like a fifth wheel. In 1672 the Utrecht council takes pity on him, and gave him the post of Toll-collector and controller of the river lock at Vreeswijk, where he later remarried.Galizia,Fede
Fede Galizia (1578 - 1630) was an Italian Renaissance painter, a pioneer of the still life genre.